mad hatter tea party

film “ljubavnik“,  jane march glavna ženska uloga, režija  jean-jacques annaud, (1992) po istoimenom romanu marguerite duras

“čudno je toga dana da mala ima na glavi muški šešir ravna oboda,meki pusteni šešir boje ružina drveta sa širokom crvenom vrpcom. presudna dvosmislenost slike je u tom šeširu. zaboravila sam kako je on došao do mene. ne znam ni ko mi ga je mogao dati. — nijedna žena, nijedna devojka u koloniji nije u to doba nosila muški šešir. a ni domorotka…” (ljubavnik, marguerite duras)

lena olin kao sabina u “nepodnošljivoj lakoći postojanja”philipa kaufmana po istoimenom romanu milana kundere

“polucilinder je postao motiv muzičke skladbe koja se zvala sabinin život. taj motiv se neprestano vraćao i svaki put je imao drugo značenje; sva ta znašenja tekla su kroz šešir kao voda kroz korito. i mogu reći da je to bilo heraklitovo korito: “nikad nećeš dva puta zagaziti u istu rijeku!” polucilinder je bio korito u kome je za sabinu svaki put tekla druga rijeka…” (milan kundera, nepodnošljiva lakoća postojanja)

volim muške šešire. više nego ženske. a ja sam žensko… kao mala stajala bih  dugo ispred ogledala isprobavajući šešire mog oca. a on ih je voleo. i danas vidim sajt brenda japansko-švedskog para,  “horisaki” i… ostanem bez daha. kako bih volela da imam jedan od njih. ti šeširi kao da su došli iz nekih davno prohujalih vremena, gotovo da osećam miris patine dok gledam njihove fotografije, šeširi ruralni, a kada ih horisaki san stavi na glavu to je  nedvosmisleno i urbano i rokerski. sve je rađeno ručno, od prirodnih materijala, sa velikim poštovanjem za tradiciju, švedsko selo i makotovo japansko poreklo. žive sa sinom u  malom mestu u provinciji småland na jugu švedske.

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https://i0.wp.com/www.ostran.se/var/ostran/storage/images/oestran/nyheter/kalmar/hattmakarna-i-kaaremo/hattmakarna/7806692-1-swe-SE/hattmakarna_article_large.jpg

makoto horisaki & karin linder  foto: ulrika bergström

pogledajte  corpus delicti  sa njihovog sajta http://www.horisaki.com (foto umetnik  jonas lindstrom):
https://i1.wp.com/www.horisaki.com/content/img/horisaki-image-11.jpg
https://i0.wp.com/www.horisaki.com/content/img/horisaki-image-05.jpg
https://i1.wp.com/www.horisaki.com/content/img/horisaki-image-01.jpg
https://i0.wp.com/www.horisaki.com/content/img/horisaki-image-08.jpg
https://i1.wp.com/rodeo.net/filippa/files/2013/11/IMG_7273-1.jpg
ova sjajna fotografija horisaki šešira dole je sa http://www.jus.se:
https://i2.wp.com/www.jus.se/wp-content/uploads/2013/10/bild.jpg
https://fbcdn-sphotos-b-a.akamaihd.net/hphotos-ak-ash3/t1/p403x403/1426278_556595474410823_136130464_n.jpgPhoto: #horisaki #2generation #hat
makoto i karin sa sinom
https://i1.wp.com/www.cheapmonday.com/highslim/img/swipe/makoto_swipes-05.jpg
makoto na delu
sledi odlomak iz intervjua koji su makoto i karin dali za antonioli journal:

what was your first fashion memory, and how fashion entered your life?

MAKOTO – i was born and grew up 80s-90s in japan and that time was very exiting for me to see different people with different fashion and styles. i got stuck on vintage because vintage is something you can wear and remain unique. chance to be alone with something. can make your own fashion. minimal details like how the materials wear and tare or how stitches are sewn. since then i always hunt for unique pieces.

KARIN – i grew up on a farm, outside a very small community. there was no fashion. then, i bought a stack of 80s fashion magazines at the local flea market and started sewing my own clothes. people probably thought i was crazy, but i was content.

M, K – fashion is all around us from when we are born. as you grow older you find ways to use fashion as a way to express yourself, but fashion mustn’t define you.

 could i please ask you to define your aesthetic vision?

M, K – our aesthetic vision has its roots in natural wear and tare. our hats are handmade and there lies our passion. we get inspired by the handicraft and by excellent materials. minimalistic details that gets people thinking. well made and carefully constructed pieces in contrast with brutal material manipulation makes harmony from which springs life and beauty. functional, inspired by streetwear with a luxury edge.

 

 

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