georgia again again

georgia totto o’keeffe (november 15, 1887 – march 6, 1986) je ona koja neosporno odgovara opisu žene koji je yohji yamamoto dao:

for me, a woman who is absorbed in her work, who does not care about gaining one’s favour, strong yet subtle at the same time, is essentially more seductive. the more she hides and abandons her femininity, the more it emerges from the very heart of her existence.”

o, da, pisala sam već o njoj i njemu, o konekciji u njihovom poimanju odeće. ona je volela pse, takođe. yamamoto, takođe, voli da slika… oboje oslobođeni klišea, oboje vanvremenski… autentični. ja bit tako volela da se yohji yamamoto posveti proučavanju njenog dela i života, njenih promišljanja, da tu nađe inspiraciju za neku buduću kolekciju…

ona je, što se mene tiče, jedna od najvećih ikona stila svih vremena. bez predumišljaja.

volela bih mesto za sebe kao njen ghost ranch. umbraculum. senovito mesto udaljeno od sveta, za razmišljanje i rad. koa što bi jan fabre rekao. i meditaciju.

“it takes courage to be a painter. i always felt i walked on the edge of a knife. on this knife i might fall off on either side. but i’d walk it again. so what. so what if you do fall off. i’d rather be doing something i really wanted to do.” (georgia O’keeffe)

***

georgia totto o’keeffe (november 15, 1887 – march 6, 1986) is one that undoubtedly fits the description of women what gave yohji yamamoto:

for me, a woman who is absorbed in her work, who does not care about gaining one’s favour, strong yet subtle at the same time, is essentially more seductive. the more she hides and abandons her femininity, the more it emerges from the very heart of her existence.”

oh, yes, i wrote already about him and her, about their connection of their understanding of clothing. she loved dogs, too. yamamoto also likes to paint … both freed from clichés, both timeless … authentic. i would like that yohji yamamoto study her work and her life, her thoughts. perhaps, for a future collection … she is , as for me, one of the greatest style icons of all time. without premeditation. i would like to place myself as her ghost ranch. umbraculum. shaded place away from the world, for thinking and to work, as would jan fabre say. and meditation.

“it takes courage to be a painter. i always felt i walked on the edge of a knife. on this knife i might fall off on either side. but i’d walk it again. so what. so what if you do fall off. i’d rather be doing something i really wanted to do.” (georgia O’keeffe)

dole su fotografije koje je 1966. napravio todd webb:

fotogafije koje je načinio ralph looney:

fotografije koje je načinio john loengard 1967.:

Georgia O'Keeffe photographed on the roof of her Ghost Ranch home in New Mexico, 1967.

John Loengard—Georgia O’Keeffe with her rock collection

John_loengard_georgia_okeeffe_chows_2
fotografije koje je načinio dan budnik na njenon ghost ranchu u new mexicu 1975. :

“whether you succeed or not is irrelevant—there is no such thing. making your unknown known is the important thing—and keeping the unknown always beyond you…”  (georgia O’keeffe)

http://www.okeeffemuseum.org/her-houses.html

http://www.abqarts.org/content/artward-bound-santa-fe

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Filed under art, fashion, photography

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