hands, pina and georgia. and yohji

directed by lee yanor

i dalje ne mogu da zaboravim reči koje je izgovorio yohji yamamoto: “for me, a woman who is absorbed in her work, who does not care about gaining one’s favour, strong yet subtle at the same time, is essentially more seductive. the more she hides and abandons her femininity, the more it emerges from the very heart of her existence.”  kakva oda pravoj ženskoj lepoti… a živimo u svetu koji je muški. nekako se potrude da nas svedu na dekoraciju. ili na nešto još gore. ne i yohji. volim ga i zbog toga. a o vezi između pine bausch i njega i georgie i njega već sam pisala. ovaj post je priča o njima dvema. i njhovim rukama. one su samo jedna tačka bliskosti (pob/ratimstva lica u svemiru, kao što tin ujević reče) između njih dve. sličnost njihovih unutrašnjih lepota…

prvo “portret” ruku georgie O’keeffe(1887-1986) koje je uradio alfred stieglitz. koji je prvo imao mišljenje slično yamamotu, ali je kasnije duh, talenat i uspeh koji je imala georgia postao preteško breme za njega, pa je zaboravio to što je nekad znao.

***

still cannot forget the words spoken by yohji yamamoto: : “for me, a woman who is absorbed in her work, who does not care about gaining one’s favour, strong yet subtle at the same time, is essentially more seductive. the more she hides and abandons her femininity, the more it emerges from the very heart of her existence.” what an ode to the true female beauty… and we live in a world that is a men’s men’s world. somehow they make the effort to reduce us only to decoration or to something worse, but not yohji. i love him  because of that and about the link between pina bausch and him and georgie i have already written. this post is a story about the two of them. and about their hands.. . they are only one point of closeness (brotherhood of persons in the universe, as poet tin ujević said) between the two of them the similarity of their internal beauty …

firstly “portrait”of georgia o’keeffe” hands, which was made by alfred stieglitz, who firstly had a similar opinion like yamamoto, but later the spirit, talent and success that georgia had become a heavy burden for him, and he forgot what he once knew…

alfred stieglitz, hands, 1919

Alfred Stieglitz</p>
<p><br />
GEORGIA O’KEEFFE – HANDS AND THIMBLE

alfred stieglitz, hands and thimble, 1919

alfred stieglitz, hands and horse skull, 1931

 

O'Keeffe-(hands).jpg

alfred stieglitz, hands, 1918

georgia by alfred

“i wondered at my hand…my left one as i saw it on the last printed page of the last book…and my mind wandered to the prints of my hands… i moved to get up to look for them…no…the other hand reached for the book…. so i sat looking at the hand—then at them both…i’ve looked at them often today—they have looked so white and smooth and wonderfu …i’ve wondered if they were really mine…”

“my hands had always been admired…but I never though much about it.”

(georgia O’keeffe)

a sada pina bausch (1940-2009). primećujete li tolike sličnosti, pa i vizuelne između njih dve, dođe kao retoričko pitanje…

and now pina bausch. (1940-2009) if you have noticed  many similarities between the two of them , even the visual , and that came as a rhetorical question…

opet inserti iz filma “coffee with pina” koji je uradio lee yanor

and again clips from lee yanor’s movie “coffee with pina”…

photo by walter vogel

photograph: thomas lohnes/AFP/getty images

photo donata wenders

&  za kraj opet yohji yamamoto,  hands:

Un modèle de la collection printemps-été 1992, en hommage à Pina Bausch, présenté au Victoria & Albert Museum. (V&A Images)

yohji yamamoto s/s 2009 / doru covrig “hands”

don’t do that jacket • yohji yamamoto pour homme

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Filed under art, fashion, movie, photography

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