dramatic and poetic hats

umislila sam da nemam odgovarajuči oblik glave za šešire,a umisliti ovako nešto nije baš dobra rekreacija. o, da, volela bih da ih nosim. treba se samo usuditi. i nositi ono što želiš i kako želiš, sa stavom i ubeđenjem da je to dobro. najbolje. makar ispao mad hatter…  samopozdano i stylish kao tasya van ree što ih nosi… kakogod, ja volim ideju šešira na glavama. muškim i ženskim. šešire klasične i šešire ekscentrične. danas su tema ovi potonji – eksentrični. kao što giles deacon reče; dramatični i romantični.i poetični, dodajem! u “alisi” ludi šeširdžija kaže ovo:

giles deacon o stephenu jonesu, 2009, izložba: hats: an anthology by stephen jones, victoria and albert museum

elem, o stephenu jonesu (1957) bih koju reč da kažem. on je eksentrični & avangardni kreator onoga što ukrašava glavu. od kako je elsa schipaparelli 1937. u saradnji sa salvadorom dalijem kreirala cipelu-šešir stephen jones je jedan od najboljih njenih sledbenika. osim za revije deacona stvarao je šešire za gaultiera, vivienne westwood,diora, galliana, rei kawakubo, marc jacobsa… mnoge, mnoge poznate ličnosti, muzičari, glumci… nosile su i nose njegove ludo dobre i nezaboravne kreacije.

helena bonham carter nosi jonesov labud-šešir

stephen jones (o5) za gilesa deacona

comme [des garçons] is fantastic and i love rei. she is someone that everyone simply looks towards. her and Vivienne are incredible because they’ve somehow done their own thing and carried on doing it, producing the most extraordinary things that make us dream. i believe that’s the purpose of fashion – if not we should all run around wearing gap t-shirts, which are fine, but, you know… i need my visual input to be a bit stronger than that. (stephen jones for dazed)

comme des garçons, aw2008 , photography: rrosemary

wash and go by stephen jones

motwary: in your opinion, what makes a great hat?

jones: god knows! for me, I think it has to have an element of fantasy to it, or the person who wears it must feel some kind of fantasy. it doesn’t matter whether it is a big thing you do for a fashion show or whether it’s a baseball cap. it has to turn you into somebody. it applies whether you are young or old, a man or a woman—it’s got to have some magic to it.

motwary: is there is a methodology or philosophical frame- work within which you work?

jones: yeah—what’s a good hat? my philosophy is that whatever i do is about trying to make fantasy come true.

(stephen jones for the kinsky)

za diora 2009

http://www.stephenjonesmillinery.com

hat or fascinator?

hat, definitely today. i think it’s the fashion for a bigger hat, something more substantial. a fascinator is fine for a dress, maybe for the evening, and now is almost like a head decoration but i think what I’ve seen around is everyone wearing hats. (stephen jones za vogue)

stephen jones i naša đurđa stojiljković za galliana

stephen jones: “hats are totally about escapism. of course, they can keep you warm, or keep you dry, or keep the sun off your face, but they’re predominantly about escaping, about being somebody else.”

galliano, a/w 2005, photography: etienne tordoir

knjiga o njemu, fotografija na omotu nick knight

za vivienne westwood

stephen jones for a. f. vandervorst a/w 2015

thom browne and stephen jones, ss 2016

giles deacon and stephen jones ss 2013

Oglasi